Blues Musicians in the Age of Now
- W. C. Handy (1873-1958), "Elders Blues"
- Bessie Smith (1894-1937)
- Memphis Minnie (1897-1973)
- Alberto Canizares (born 1979)
- Louis Armstrong, (1901-1971)
- Louisiana Red, (born 1932)
- Miquelo Ortiz (born 1977)
- Louis Jordan (1908-1975)
- Daniel Ibarra (born 1979)
- Robert Johnson (1909/1912-1938)
- B. B. King (born 1925)
- Ray Charles, (1930-2004)
- Herry Henger, (born 1971)
Chronology of Blues
1920 --- Vaudeville-blues-lst,. Blues record "Crazy Blues," Mamie Smith. In the 1920s, the blues became a major element of African American and American popular music, reaching audiences through setting Handy classic white and female blues performers. Blues evolved from informal performances in bars to entertainment in theaters. Blues performances organized by the Theatre Owners Association in a nightclub bookers like Cotton Club and juke joints like the bars along Beale Street in Memphis. Several record companies, such as the American Record Corporation, okeh Records, and Paramount Records, began recording American music - Africa.1920/1921/1922---lst. Recordings by vaudeville-blues artists: Edith Wilson, Lucille Hegamin & Her Blue Flame Syncopators, etc. 1920/1921/1922---lst blues. Recordings by the vaudeville-artists: Edith Wilson, Lucille Hegamin & Her Blue Flame Syncopators, etc.1923 --- Ma Rainey and Bessie Smith's debut recording; also Clara Smith, Rosa Henderson, etc. First-rural blues artists to record some instrumental guitar by Sylvester Weaver; including Bob Wills & white, Texas playboy adapted as a country music classic "Steel Guitar ". (Ie made outside New York or Chicago) performed by Lucille Bogan, the vaudeville blues style. 1924 --- lst. JUG South Old Band, etc. First 3 male, rural blues singers to get on the disc: Ed Andrews, Daddy Stovepipe & Papa Charlie Jackson.1925/1926---Blind Lemon Jefferson difficult 'first' blues singer who recorded, also Bo Weavil Jackson, Blind Blake & Mr. Freddie Spruell Also Peg Leg Howell of Georgia.1927 --- Blind Willie McTell & Barbecue Bob's recording debut - also Frank Stokes, Memphis JUG Band. Blues singer from Carolina: Julius Daniels. Lucille Bogan rural blues style changes.--- 1928 recording debut Tommy Johnson, Robert Wilkins, Cannon's JUG Stompers, Leroy Carr & Scrapper Blackwell, etc. 1. blues using 'legal' in the title, by Coley Jones & the Dallas String Band. The use of 'boogie woogie', by Pine Top Smith.1929 --- Charley Patton recording the first one. on the wax version of "Roll & Tumble Blues," by Hambone Willie Newbern. Records of "44 Blues", by Lee Green. Memphis Minnie & Kansas Joe start recording.1930 --- Bukka White & Son House recording debut; also Peetie Wheatstraw. 1932 --- Paramount Records (major 'race' record label) went bust - a reduction in all recording sessions deepen the Great Depression. Leadbelly side of 1933, the Library of Congress; supervised by John Lomax. --- 1934 Sante Fe group of the first pianist to record; with the name Rob Cooper. Cooper.1935 --- lst. Leadbelly's 1st. including the "lately Baby Please Do not Go" 's. commercial records for ARC More urbanization blues appeared with artists such as Jazz Gillum, board Sam, Big Bill Broonzy, etc.1936 --- Robert Johnson's 1st. --- Robert Johnson 1936's 1. records. Texas blues pianist get on the disc: Andy Boy, Pinetop Burkes, etc. --- 1937 First disc by "Sonny Boy" John Lee Williamson, including "Good Morning, School Girl". --- Note 1938 Big Joe Turner with boogie woogie man, Pete Johnson. Electric guitar in blues, played by a white jazzman, George Barnes; on record by the Jazz Gillum for the Bluebird label.1941 --- lst. Note Catfish Blues ", by Robert Petway, &" Cut Saw ", by Tony Hollins. Both songs are from Tommy McClennan, who also recorded. Recordings debut Boy 'Arthur' Big Crudup ('s mentor Presley). Records of Muddy Water's first to Library of Congress.1942 --- Strike expressed by James Petrillo, president of the American Federation of Musicians (AFM) to record companies & operators juke box. The strike + strict rationing of shellac (used in the manufacture of 78's), effectively stopped recording blues. Petrillo ban lasted until 1944; ban means no recording studio for some time.Cross Road Blues
"Cross Road Blues" is the song Delta Blues singer Robert Johnson; released by Vocalion Records in 1937, the original 3519.Versi catalog remains out of print after its initial release until the advent of The Complete Recordings in 1990. In 1961, producer Frank Driggs replaced that had not been re-released on Johnson's first job, playing long album King Delta Blues Singers. Because of the historical significance of "Crossroad Blues," it's Induction into the Grammy Hall of Fame in 1998.On March 10, 1968, Cream recorded live version of "Crossroads" from their performance at the Winterland Ballroom in San Francisco. Version arranged by guitarist Eric Clapton, and included two lines borrowed from it "Johnson Traveling Riverside Blues Clapton's guitar solo from the song named his work from one of the greatest living solo rock critics who ever lived. The same critics also named Bruce's bass playing bass best live performance of both.This includes the Cream of the song was placed at 409 in 2004 List of Rolling Stone's 500 Greatest Songs of All Time, and 3 in 2008 Greatest Guitar Songs Throughout the period. The song was also ranked on Guitar World's '100. Cover version of this version is the song played in the music video game Guitar Hero.
Electric Blues In the 1940s, several Chicago-based blues artists have been using amplification, including John Lee Williamson and Johnny Shine. Early recordings in the new style created in 1947 and 1948 by musicians such as Johnny Young, Floyd Jones, and Snooky Pryor. This format is enhanced by Muddy Waters, who used a variety of small groups that provide a strong rhythm section and harmonica kuat.Selain electric guitar, harmonica, and a rhythm section of bass and drums, some players like JT Brown who played in Elmore James's band ', or JB Lenoir's also used saxophones, mostly as a supporting instrument. Little Walter, Sonny Boy Williamson (Rice Miller) and Big Walter Horton is among the best known harmonica (called "harp" by blues musicians) players of the early Chicago blues scene and the sound of electric instruments and harmonica are often seen as a characteristic of electric Chicago blues. Muddy Waters and Elmore James is known for their innovative use electric slide guitar. 'Howlin Wolf and Muddy Waters were to them in, "mellow" sound. Bassist and composer Willie Dixon played a key role in the Chicago blues scene.Clapton's rehab center in Antigua called the "Crossroads". Eric Clapton recorded the song earlier in 1966 with his band Eric Clapton's Powerhouse, but instead of a guitar riff main focus of the song is a harmonica riff that is played by Paul Jones.
Juke Blues is the Genuine Article
Founded in 1985, Juke Blues The contents range from in-depth interviews and articles 'most popular'. It is intended to provide a decent publicity even though there are still many artists are ignored, also includes the famous music legend. Also includes an extensive review CDs, DVDs, books, festivals, listings and news reports. The magazine is in full color overall.For newcomers could prove goldmine of facts and info to steer you in the right direction. For really serious often have full discographies with vinyl (and shellac) Reference and label shots.Juke Blues has a representative on the Channel 4 TV and have coverage on various BBC radio stations. One of the latest issue prompted responses from critics Chicago: 'greeting and praise absolute in this latest edition! You're a true diaspora / mag roots, and I'm sure that's the 'blues' has come to mean today. It's also exactly the approach the world - and music - needs. "
Juke Blues, three times the award-winning music magazine Blues. Juke publishes quality coverage of all types of traditional music and African American blues, soul of the city to the south, just a touch of other related genres. Every problem is a gold mine of information. Three-time award winner • Keeping the Blues Alive, 2000 • Sweet Soul Music, 2001 • Blues Hall of Fame Classic of Blues Literature, 2004
The Blue Highway (A Journey, Blues to America)
Wind past the plantation houses in the Mississippi Delta to the south-side clubs and tenements of Chicago after the war. Meanwhile, grim journey, humbled, and even pathetic, also charming and fun - and convincing in its success. More than a chronological history of blues music. Blues was born the day the West African shoreline fell from the firmament. It was raised in the middle of institutionalized barbarism of the Deep South and thrive in the dark heart of America's largest city. We owe the blues to those who bear the pain of enslavement behind the frightening shadow of our collective soul. Blue road, then, is dedicated to men and women who traveled beyond our ignorant place, and for those who can not.We all know that we bluesmakers of all people are not likely to be ranked like football teams or mutual funds. I think, in fact, that we will never know who bluesmakers most true it is or where they originated. Consider the griots of West Africa or the itinerant bluesman WC Handy found and lost in the Tutwiler train station in 1903. Consider all the Sloan Henry and we have not heard from our mothers. And consider the people who never cross the street people from white historians or the people who sing just for themselves.Like most big trip, this is not only an autobiographical journey of a man traveling across the U.S. in an old van, dubbed the Ghost Dance, but a journey of self discovery as well. Want to see a real American, he avoided the main highway and stick with the blue states and their road-colored areas on his map. personal problems precipitated his journey, but did not prevent him from fully engaging in it and learn what you can about the places he goes through.Trip he recorded as bare bones. When he started, he just lost his job. He equipped van to be his home, and only bring what is needed by him-sleeping bags and blankets, coolers practical Coleman empty gallon water jug and basin to wash in a Rubbermaid, portable toilets, a few utensils and pans, some clothes, cameras, 2 books, stationery, and very little cash.
Juke Blues is the Genuine Article
Founded in 1985, Juke Blues The contents range from in-depth interviews and articles 'most popular'. It is intended to provide a decent publicity even though there are still many artists are ignored, also includes the famous music legend. Also includes an extensive review CDs, DVDs, books, festivals, listings and news reports. The magazine is in full color overall.For newcomers could prove goldmine of facts and info to steer you in the right direction. For really serious often have full discographies with vinyl (and shellac) Reference and label shots.Juke Blues has a representative on the Channel 4 TV and have coverage on various BBC radio stations. One of the latest issue prompted responses from critics Chicago: 'greeting and praise absolute in this latest edition! You're a true diaspora / mag roots, and I'm sure that's the 'blues' has come to mean today. It's also exactly the approach the world - and music - needs. "
Juke Blues, three times the award-winning music magazine Blues. Juke publishes quality coverage of all types of traditional music and African American blues, soul of the city to the south, just a touch of other related genres. Every problem is a gold mine of information. Three-time award winner • Keeping the Blues Alive, 2000 • Sweet Soul Music, 2001 • Blues Hall of Fame Classic of Blues Literature, 2004
The Blue Highway (A Journey, Blues to America)
Wind past the plantation houses in the Mississippi Delta to the south-side clubs and tenements of Chicago after the war. Meanwhile, grim journey, humbled, and even pathetic, also charming and fun - and convincing in its success. More than a chronological history of blues music. Blues was born the day the West African shoreline fell from the firmament. It was raised in the middle of institutionalized barbarism of the Deep South and thrive in the dark heart of America's largest city. We owe the blues to those who bear the pain of enslavement behind the frightening shadow of our collective soul. Blue road, then, is dedicated to men and women who traveled beyond our ignorant place, and for those who can not.We all know that we bluesmakers of all people are not likely to be ranked like football teams or mutual funds. I think, in fact, that we will never know who bluesmakers most true it is or where they originated. Consider the griots of West Africa or the itinerant bluesman WC Handy found and lost in the Tutwiler train station in 1903. Consider all the Sloan Henry and we have not heard from our mothers. And consider the people who never cross the street people from white historians or the people who sing just for themselves.Like most big trip, this is not only an autobiographical journey of a man traveling across the U.S. in an old van, dubbed the Ghost Dance, but a journey of self discovery as well. Want to see a real American, he avoided the main highway and stick with the blue states and their road-colored areas on his map. personal problems precipitated his journey, but did not prevent him from fully engaging in it and learn what you can about the places he goes through.Trip he recorded as bare bones. When he started, he just lost his job. He equipped van to be his home, and only bring what is needed by him-sleeping bags and blankets, coolers practical Coleman empty gallon water jug and basin to wash in a Rubbermaid, portable toilets, a few utensils and pans, some clothes, cameras, 2 books, stationery, and very little cash.

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